Chance to see Bayeux Tapestry prints in town

The Art Haven A woman at an exhibition looks at two frames on the wall where prints of the Bayeux Tapestry have been placed inside. The prints are medieval drawings that tell the story of the Norman Conquest. The woman is turned away from the camera and has short dark hair with some grey in it. She is wearing a multi-coloured dress with a pink jumper resting over her shoulders.The Art Haven
The Art Haven in Woodbridge has been loaned prints dating back 200 years of the Bayeux Tapestry

The Bayeux Tapestry is on display to the public in the UK for the first time since its creation about 950 years ago - but if you missed out on tickets, there is another way to enjoy it.

The 70m-long (230ft) tapestry, originally embroidered in England but kept for centuries in France, tells the story of the Norman Conquest and the Battle of Hastings in 1066.

But in the 1800s, prints were made of the tapestry and at the time were the first complete colour reproductions made available to the public.

Seventeen of the prints from a private lender are on display at The Art Haven community arts centre in Woodbridge, Suffolk, until Tuesday - and its director has said she was "thrilled".

The Art Haven A medieval print that depicts a boat sailing across the sea with people aboard. There are smaller drawings of animals and other people around the boat.The Art Haven
Prints of the Bayeux Tapestry are on display in Woodbridge until 15 September

In 1816, draughtsman Charles Stothard was commissioned by London's Society of Antiquaries to visit France and draw the entire length of the Bayeux Tapestry.

According to the British Museum, he applied a method of reproduction that could have risked the preservation of the tapestry when he put wax directly on to its surface so he could get a mould of the embroidery.

From this, another man called James Basire engraved it on to prints and they were then hand-coloured to create a record of the tapestry as it was seen then.

They were also the first record of the tapestry after it had been damaged in the French Revolution and before repairs were carried out later in the 19th Century.

It meant Stothard had to recreate sections in his work by piecing together colours and surviving threads.

The Art Haven A man dressed in mayoral robes and Mary-Anne Bartlett stand around a medieval print that is on display on an easel. A third man stands to their right and is looking off camera. They are copying people's poses in the print.The Art Haven
Art Haven director Mary-Anne Bartlett said she particularly enjoyed looking at the animals included on the prints and original Bayeux Tapestry

"In a way, they're more original than the Bayeux Tapestry that you could see as of today at the British Museum," said Art Haven director, Mary-Anne Bartlett.

"There are differences because the Victorians took out various things from the original because they thought they were too shocking, but it's so lovely to be able to see the details.

"I'm watching the hundreds of visitors look at all the details along the borders... all that wonderful detail that you can really study and, particularly, I'm trying to find those lovely links with Woodbridge because, of course, Woodbridge was an Anglo-Saxon stronghold."

Reuters A man leans over a glass display case where the Bayeux Tapestry is inside. It runs along the length of the room. The man wears glasses, a chequered blue shirt and has short hair. The tapestry depicts medieval drawings, telling the story of the Norman Conquest. Reuters
The Bayeux Tapestry went on display in London on Thursday

Nearby Sutton Hoo tells the story of Anglo-Saxon England before 1066 and the Norman Conquest.

The area is famous for the discovery of an Anglo-Saxon burial ship that had long since rotted, leaving only the iron bolts and the impression of the timbers in the earth.

As well as this, the British Museum, in exchange for the Bayeux Tapestry, loaned Anglo-Saxon artefacts discovered at Sutton Hoo to the French.

Tickets to see the Bayeux Tapestry at the British Museum have sold out, but more are expected to go on sale in October.

The tapestry includes 58 scenes, 737 animals, 620 men, six women and is made of wool thread, dyed using plants, which was then woven into linen cloth.

It is believed it was embroidered by English women for the new Norman rulers in the 1070s.

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